Contents:
The Marshal's Habit
Short story
Is There A Chinaman In Town
Poem
The Crucial Importance Of Doc Holliday
Commentary
Henry C Beck (formerly guitarist in Mick Farren's Tijuana Bible) has an article in New York Daily News Online about the Doc Holliday phenomenon. [24 August 2001]

 

The Marshal’s Habit, IT, 145, January 11-25, 1973


The pounding on the door finally got through to Doc, and he opened one eye. The ripped blind let in a shaft of sunlight that fell across the pillow and hit his eyes like a physical pain as he turned his head.
    The pounding was repeated, and he struggled to sit up. As he swung his legs over the side of the bed a fit of coughing doubled him over, and he clapped the dirty rag from under his pillow to his mouth. When the spasm finally subsided he noticed that the phlegm he had produced was heavily flecked with blood.
    A voice came from the other side of the door.
    “Doc, Doc, wake up.”
    He stood up and pulled on a coat to hide partially his stained and worn underwear. Shivering, he picked up the sawn off shot­gun from where it hung on its strap from the iron bedframe.
    “Who is it?”
    “It’s me, Wyatt, let me in.”
    Doc took the two paces to the door, and opened it about three inches.
    “What do you want? I’m sleeping.”
    “Come on, let me in. I’m hurting, you got to help me.”
    “Ah, come back in a couple of hours, I ain’t been in bed any time at all.”
    The sunken eyes on the other side of the door narrowed dangerously, and the mouth, half hidden under the thick drooping moustache worked spasmodically.
    “I’m warning you Doc. You gotta let me in. I'm in a bad way. I’ll blow the fucking door away if I have to.”
    “Okay, okay.”
    Doc stepped back and opened the door, and Wyatt hurried inside. He was a big man, but thin to the point of emaciation, and an open sore on his cheek bone marred what was once a strong, well formed face. The fine bone structure was still there, but the flesh had the pallor of a corpse.
    Wyatt’s clothes had originally been well tailored and expensive, but the brocade of the waistcoat was worn and filthy, and the frockcoat was threadbare, torn under the arm, and the front was patterned with cigar burns. The only things about his whole person well cared for were the heavy, long barreled revolver that was strapped to his hip and the sawn-down shotgun that hung from one shoulder by a strap.
    He brushed past Doc, and tossed his battered wide-brimmed hat onto the chipped washstand.
    “You going to help me out?”
    “You got any money?”
    “Ten dollar gold piece.”
    “That won’t get you further than sundown.”
    “You know I could blow you apart and take all you got. I could do it an’ walk away. I’m the law in this town.”
    Doc nodded.
    “Sure you could but when that bottle ran out, you’d never get any more. You couldn’t order it up from back east. That’s why I’m safe, an’ you go on paying my price. You know what I mean?”
    Wyatt nodded impatiently.
    “Sure, sure. You got it all set, Let’s cut out the talk and get on with it.”
    Doc unlocked a wall cupboard above the washstand and took down the heavy bottle with its glass stopper. He placed it on the marble top, and reached for two chipped enamel kidney bowls. From one dish he produced a worn glass hypodermic. Then he poked through the other dish until he found a needle that was comparatively new. He fitted one into the other, splashed a little whiskey into the empty dish, took a hit from the bottle, and began flushing the spirit through the needle. He shot the whiskey into the dish, and shook out the last remaining drops, then he picked up the boule of cocaine and morphine mixture, and began to prepare the injection.
    While the whole operation was going on, Wyatt had taken off his coat, thrown it on the bed, and started to roll up his sleeve.
    He held the tourniquet tight around his upper arm while the doctor probed for a vein just below the inside of his elbow.
    “When the fuck are you going to get some new needles?
    “They’re hard to come by. I do my best.”
    “You’ll fucking kill one of us some time:”
    “Go somewhere else then.”
    Wyatt said nothing, and watched silently as Doc drew a small pattern of blood into the glass of the works.
    He slowly eased the plunger home, and finally removed the needle. Wyatt sat for a long time breathing deeply, his eyes half closed. After a long time, he stood up and walked slowly to the door, squaring his shoulders in a theatrical attempt to live up to the Wyatt Earp legend that had been created by the reporters from the east.
    Doc Holiday put everything back in the cupboard, pocketed the ten dollar gold piece, and returned to bed.

Jimmy Clanton had been playing stud all night. It had been good in itself, and he had even won about thirty dollars off a drunken cowboy. The drawback had been that when dawn came and the game broke up, he had looked for a woman to fuck, and found that, with the daylight filtering greyly into the saloon, nearly all the girls had disapp­eared. He was forced to settle for Conchita. It would have been nice to have had a white woman, maybe one of the pair that had come in on the stage the previous week, but at that time of the morning, any woman was better than none.
    He walked aver to where Conchita was dozing in a chair. He stood over her, but she didn’t wake. He kicked the leg of the chair, and she sat up with a start.
    “What you want?”
    Jimmy grinned.
    “How ‘bout you take me upstairs?”
    Conchita stared at him, and her eyes seemed to him to have a hint of greaser innocence. She slowly uncoiled from the chair, and stood up.
    “You got any money?”
    Jimmy jingled the coins in his pocket.
    “Sure have.”
    She walked towards the stairs that ran up one of the walls of the building. Jimmy thrust his hands into his pockets and sauntered after her. Halfway up the stairs she turned and grinned at him.
    “I guess you must be looking for a change from the marshal?”
    Jimmy stopped and scowled.
    ‘Whadda you mean?”
    Conchita continued to sway her hips up the stairs.
    “I thought you were the marshal’s pretty boy.”
    Jimmy started up the stairs. “You shut your dirty fucking mouth.”
    Conchita turned, and shrugged. “Sure, sure. It’s none of my business.”
    Immediately they were inside her tiny room, which was almost totally filled by a tarnished brass bed, Conchita quickly began to undress. It was a swift mechanical process, without even an attempt at a sexy come on. Before Jimmy even had his boots off she had slipped under the blankets and was watching him impatiently.
    “Hurry up darlin’, I want to get some sleep tonight.”
    Fucking greaser bitch. The phrase flashed through Jimmy’s mind, and he took the rest of his clothes off with studied slowness, turned down the oil lamp and climbed into the creaking bed.

Wyatt Earp pushed open the swing doors of the saloon. The place was echoing and empty, all except the negro boy who was still sweeping up the night’s debris. He looked up as Earp stepped through the door.
    “We’re all closed up, marshal.”
    Earp paused, and looked round the deserted room.
    “Where’s Jimmy Clanton? I heard he was playing poker here.”
    The boy nodded.
    “He was, but he’s gone.”
    “Where?”
    The boy jerked his thumb towards the stairs.
    “He’s upstairs with Miss Conchita, getting his ashes hauled.”
    Earp winked at the boy and spun him a coin. The boy caught it and slipped it quickly into the pocket of his apron. Earp walked to the foot of the stairs, paused, and slowly climbed them, with his back held very straight and one hand hanging loose beside his gun.

At the top of the stairs he turned and walked even more slowly down the narrow corridor that led to the doors of the upstairs rooms. His boots rang hollowly on the board floor. Outside Conchita’s room he stopped, slowly drew the long barrelled pistol from its holster, and rested his other hand on the door handle.
    He jerked the door, and it flew open with a crash.
    “Jimmy Clanton!”
    Conchita sat bolt upright in bed.
    “What you doing in here? You crazy!”
    Jimmy Clanton rubbed his eyes. “Wyatt? What’s the matter?”
    Earp’s hand shook slightly as he gripped the gun.
    “Just shut your mouth Jimmy, and don’t move…”.
    He motioned with the gun barrel.
    “…And you, woman, get out of that bed. Get up against the wall.”.
    “My clothes…I…”
    “Just get against the fucking wall.” Terrified, the woman jumped from the bed and cowered in a corner, trying vainly to cover herself with her hands. Jimmy Clanton stared at Earp nervously.
    “What’s wrong? What’s the matter? You ain’t sore because I just happened to screw Conchita? You ain’t sore about that?”
    Earp’s face was like a death mask. “I’m gonna kill you Jimmy..”
    “Why, for God’s sake? Why?”
    “I’m gonna kill you, you bastard.”
    “Wyatt you’re crazy. What you…”
    Jimmy hesitated, his throat had gone dry, and he struggled to speak. Before he could find the words, the gun roared and cut him off. Jimmy Clanton grunted as the bullet slammed him against the wail. Then, almost in slow motion, he fell over onto his side, as his life ebbed away.
    There was a long terrible silence as Earp dropped the pistol back into its holster. It was finally broken by Conchita’s voice, cracking with hysteria.
    “Why? Why you kill him? Why?”
    Earp looked at her for long moments.
    “Because the dirty little motherfucker gave me syphilis.”
    He turned, and walked slowly out the door.


 

Is there a Chinaman in town? 
(Date unknown)

Is there a Chinaman in town?
 
Doc always asked the same question 
As the room fell silent 
At the ponderous tread of his bootheels 
Down the length of the hardwood floor 
And the slight creak of his damaged lungs 
Every eye covertly upon him 
And there wasn't a saloon in the territory 
Where at least one barfly asshole 
Didn't recognize him for who he was 
And whisper it to the others 

Is there a Chinaman in town? 
Doc always asked the same question 
A slow survey of the interior 
Never turning his back 
On the sunlight leaking through the door 
And the gawkers would avert their eyes 
Through three fast shots of bourbon 
Like his life depended on them 
His hands shook slightly 
As he pulled off his gloves 
But then he'd fix the bartender 
With a stare that could freeze gin 

Is there a Chinaman in town? 

They all knew what Doc meant 
They all knew what Doc needed 
Was there a room with a secret door 
That led through the portal of time 
To the palace of mirrors? 
Was there a hidden place 
Behind the laundry 
Knock three times and say 
That Woo sent me? 

Is there a Chinaman in town? 

Is there a place where men 
Racked and inert 
Could dream the dream? 
Is there a place 
Of sweet smoke and glowing coals? 
A long pipe and a cooling fan? 
Is there a place of silent safety 
Where the tail of the dragon 
Will finally come to rest? 

Is there a Chinaman in town? 

Can anyone direct me 
To the solitude of divine night 
To the chamber of shadows 
Where legend can be laid to rest 
Along with all the reproaching ghosts 
Is there an enclosure 
Of small death and brilliant images 
Where memory stills 
With the flask of laudanum 
Beyond the reach of the bodies and the old perfume 

And I am no longer required to listen 
To the echoes of dead men's pistol shots 

Is there a Chinaman in town? 

Samuel Taylor Coleridge 
Thomas De Quincy 
Doc Holliday 
Please tell me, gentleman 

Is there a Chinaman in town?

 

The Crucial Importance Of Doc Holliday (He's My Huckleberry!)
In the far-off days when I was a lad, western movies were a major force in the culture. Every kid had a favorite gunfighter, although there was massive confusion between fact and fiction, movie star, fiction heroes, and real characters from the Old West. Some of the crew in form 2B liked John Wayne, or Steve McQueen, or Bat Masterson, or Wyatt Earp. The less-couth rebels-without-a-cause identified with left-handed Billy the Kid, and I knew a couple of highly progressive, if weird youths who thought Geronimo was the business. My favorite was of course Doc Holliday, with Paladin from the TV show "Have Gun, Will Travel" coming in close second. Doc, however, was the easiest with whom to identify, with his bad lungs, total cynicism, and major opiate habit, and he stayed with me for the rest of my days. He was also a summation of my more romantic aspirations and fantasies.

Having gone out West to die of TB, Doc Holliday was self-destructive to the point of suicidal, and he was one suave motherfucker with a taste in frock coats, brocade vests, ruffled shirts, Virgil, and Chopin. He was a master of the psychology of five card stud, and an educated son of Dixie aristos ruined by the Civil War, and thus reduced to homicide and poker. He had the perfect consort in the legendary cowboy whore Big Nose Kate Elder, who once burned down a gambling to hall to save Doc from a lynch-mob of sore losers. (I try to ignore that he qualified as a dentist. I make the excuse that he only did it for the drugs.)

Doc has lurked in my fiction for as long as I've been writing it. In addition to the accompanying short story and poem, elements of him appear in the character Frankie Lee, in the "The Texts Of Festival", and Phaid the Gambler, and of course he's the second male lead in "Jim Morrison's Adventures In The Afterlife".

On the screen, Kirk Douglas, Stacy Keach, Victor Mature, and Dennis Quaid have all turned in creditable portrayals of Doc, but the all time defining performance has to be that of Val Kilmer in the movie "Tombstone". Kilmer, of course, also played Jim Morrison, leaving the circle fully unbroken.

I suspect one of the attractions is that Doc was a far more modern character than ever the positively biblical Earps. Like Howard the Duck he was lost in a world he never made. If you can accept the concept that it took the entire 20th century to get over the 19th. century, then Doc Holliday is the decadent 21st. century gunman.

Mick Farren, 2001


[NB: Check out also this article by Henry Beck (formerly guitarist in Mick Farren's Tijuana Bible) in New York Daily News Online]